Stiftung Preußischer Kulturbesitz
ECMST ~ MASA II [en]
Empirics, Computation, Mathematics, Science and Technology in Music and Acoustical Signal Analysis (ECMST ~ MASA)
ECMST ~ MASA is a forum initiated by the Staatliches Institut für Musikforschung (National Institute for Music Research, Berlin) that aims to provide a platform for presenting and exchanging information regarding the current state of empirical, mathematical, technological, scientifical and computer based research in music and sound. The main focus lies on innovative and interdisciplinary research and methodologies. The event is supervised by the Department of Music Technology and Acoustics of the Institute.
ECMST ~ MASA II is opened on August 9, 2010.
For this purpose, 12 international submitted papers from six different countries were selected.
Scientific selection and organization:
Timour Klouche and Karl Roman
Staatliches Institut für Musikforschung
Contact:
klouche@sim.spk-berlin.de
roman@sim.spk-berlin.de
ECMST ~ MASA II
August 9 – 28, 2010
Foyer of the Musikinstrumentenmuseum
Staatliches Institut für Musikforschung PK Berlin
Themes and participants:
Introposter: Musik und Technologie / Technology in Music.
Timour Klouche & Karl Roman
Staatliches Institut für Musikforschung PK
Berlin, Germany
Auditory Cortical Models of Musical Timbre Perception.
Mounya Elhilali
Electrical Engineering, The Johns Hopkins University
USA
Tai-Shih Chi
Electrical Engineering, National Chiao Tung University
Taiwan
Daniel Pressnitzer
Laboratoire Psychologie de la Perception
CNRS-Université Paris Descartes & DEC
Ecole normale supérieure, Paris, France
Shihab Shamma
Electrical Engineering & Institute for Systems Research
University of Maryland College Park, USA
Computational Motivic Pattern Extraction.
Olivier Lartillot
Finnish Centre of Excellence in Interdisciplinary Music Research
University of Jyväskylä, Finland
Evolutionary Algorithmic Organisms: Composing with Sonomorphs.
Gary Lee Nelson
TIMARA Department, Conservatory of Music, Oberlin, Ohio 44074 USA
Evolutionary Expressive Performance. Emotional Communication in
an Computational Multi-Agent Social Composition System.
Alexis John Kirke and Eduardo Reck Miranda
Interdisciplinary Centre for Computer Music Research (ICCMR)
Faculty of Arts, University of Plymouth, UK
Generating Better Similarity Functions for Music Analysis.
Atte Tenkanen
Department of Musicology, University of Turku
Finland
An Information Theoretic Study on the Relationship Between Instruments in
Musical Compositions.
Christopher W. Kulp
Department of Astronomy and Physics,
Lycoming College, USA
Bryan Deloe
Department of Astronomy and Physics,
Lycoming College, USA
Katibeth Lybrand
Department of Physics and Astronomy,
Eastern Kentucky University, USA
Investigation on Nonlinear Tuning Systems for Microtonal Triple Harps.
Eleri Angharad Pound
Interdisciplinary Centre for Scientific Research in Music
University of Leeds, UK
MIRtoolbox: A Matlab Toolbox for Music and Audio Analysis.
Olivier Lartillot, Petri Toiviainen, Tuomas Eerola
Finnish Centre of Excellence in Interdisciplinary Music Research
University of Jyväskylä, Finland
Neuroscience in Music Research: Part I: Research Methods.
Simon Durrant and Eduardo Reck Miranda
Interdisciplinary Centre for Computer Music Research (ICCMR)
Faculty of Arts, University of Plymouth, UK
Searching the Origins of Rhythm: Phylogenetic Analysis for
Evolutionary (Ethno-)Musicology.
Godfried T. Toussaint
School of Computer Science and Centre for Interdisciplinary Research in
Music Media and Technology
The Schulich School of Music, McGill University, Montréal, Québec, Canada
Sonification of 3k Cellular Automaton 6 148 201 356 997.
Katarina Miljkovic
Theory Department of New England Conservatory of Music, Boston
USA
Symmetry and Periodicity in the Sieves of Xenakis’s Shaar.
Dimitris Exarchos
Department of Music, Goldsmiths, University of London, UK
Department of Music and Sound Recording, University of Surrey, UK
German version
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