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Staatliches Institut für Musikforschung (Ed.):
Tempo Measurements in Piano Sonatas by Ludwig van Beethoven

By Heinz von Loesch and Fabian Brinkmann
Online Publication 2013
Berlin: SIMPK, 2013
»As part of a collaborative project between the Staatliches Institut für Musikforschung Preußischer Kulturbesitz and the Audiocommunication Group of the Technische Universität Berlin, over the course of the last few years we measured—bar by bar—tempi in the first movements of three of Ludwig van Beethoven’s piano sonatas (Appassionata Sonata, Sonata op. 2 No. 3, Hammerklavier Sonata) in interpretations from the 1920s through the 2000s. In so doing we examined a series of factors: Have the tempo and shaping of tempo (›Tempogestaltung‹) changed over time? Are there national or culture-specific traditions? Can inter-subjective tempo decisions be identified? How had the shaping of tempi by an individual artist developed over the years and decades? What is the relationship between interpretational practice and the recommendations in the editions prepared by celebrated interpreters?«
   Online Publication



Staatliches Institut für Musikforschung (Ed.):
Validation of computational tuning systems

By Timour Klouche, Teresa Samulewicz and L. Jakob Bergner
Online Publication 2012
Berlin: SIMPK, 2012
   Online Publication







Staatliches Institut für Musikforschung (Ed.):
Friedrichs »Montezuma«

Authors: Ruth Müller-Lindenberg, Vicente Bernaschina, Ulrike Eberle, Thomas Ertelt, Conny Restle, Claudia Terne
Online Publication 2012
Berlin: SIMPK, 2012
   Abstract
   Online Publication







Staatliches Institut für Musikforschung (Ed.):
Valuable nuances of tuning for part 1 of J. S. Bach's »Das wohl temperirte Clavier«

By Mark Lindley
Online-Publikation 2011
Berlin: SIMPK, 2011
   Abstract
   Online Publication